It was a fixture from childhood until I was a young
adult. I remember seeing the blue building atop the hill as we travelled west on
Columbia Parkway to the Red Bank Road exit enroute to Swallen’s. In case
there was any doubt what you were looking at, there was the sign - VELVA SHEEN.
From the April 13, 1969 Cincinnati Enquirer
Velva Sheen was founded in 1936 by Oscar Schroeder and
was originally a flag and banner manufacturer. In its early years, the plant
was located at various sites in Over the Rhine and the West End. In 1957,
Robert Rielly, a St. Xavier High School and Xavier University graduate and
veteran of World War II, purchased Velva Sheen. His brother, William, an
attorney, served as a consultant and later joined the company full time.
William was also a St. Xavier and Xavier University graduate and World War II
veteran and had graduated from the University of Cincinnati College of Law.
Neither brother had any background in the industry. The company’s annual sales
at the time of the acquisition were $500,000 and the company had 20 employees.
It isn’t clear exactly when Velva Sheen’s focus shifted
from printing flags and banners to sportswear, but the 1960s were a period of
rapid growth. In June 1960, Velva Sheen moved from Over the Rhine to Gilbert
Avenue in Walnut Hills. In June 1963, construction wrapped up on a new 4,000
square foot warehouse facility at the Walnut Hills plant. In 1965, the company
produced nearly two million articles, had $3,000,000 in sales, and
employed 125 people. The company was already outgrowing its Gilbert Avenue
facility and, in June 1966, announced that it was building a new $650,000,
60,000 square foot plant on Virginia Avenue in Fairfax. The location would
allow for future expansion.
The new Fairfax facility was designed specifically for
Velva Sheen’s operations. Different departments in the company were identified
by different color doors. There was an Art Department where artists created
designs or adapted customer designs for screen printing production. The Art
Department produced 1200 – 1500 new designs every 22 working days. There was a
wood working shop for the manufacture of screen frames. They bought many of the
shirts they printed from other companies, but manufactured what they couldn’t
buy. Their seamstresses produced up to 2,400 garments each day.
Velva Sheen created the continuous-motion screen printing
equipment they used. The July 29, 1968 Cincinnati Post & Times-Star
described the printing process as follows:
The 30-foot-long printing-flocking presses at Velva Sheen
move continuously and are operated by a technician with complete control over
the process from the first step, the imprint with colored adhesive, to heat
treatment of the flocked image in an oven. The garment is first placed on the
press under an illuminated image, the adhesive is then impressed through the
silk screen and while the operator watches in a mirror, the garment is flocked,
the waste flock is recovered by suction, and the garment moves through a
265-degree oven for drying.
From the February 1, 1970 Cincinnati Enquirer
Although Velva Sheen’s business was mostly with colleges
and universities, in 1968 they began offering their products to PTAs, booster
clubs, and Little League teams for fundraising purposes. They sold the product
to the organizations wholesale, and the organizations then sold the goods
for a profit.
From May 20, 1968 Cincinnati Post & Times-Star
They also had a number of customers from fraternal
organizations, camps, the U.S. government, and corporations.
From June 3, 1968 Cincinnati Post & Times-Star
By 1970, student unrest on U.S. college campuses impacted Velva Sheen’s business. After all, students who were challenging
their schools’ authorities, weren’t going to dish out money to advertise those
schools on their clothing.
However, there were certainly designs other than college logos that could be
printed on sportswear. One of the biggest sellers locally was the Cool Ghoul
shirt. For non-Cincinnatians or younger folks, the Cool Ghoul, portrayed by
Dick Von Hoene, was a popular local television character who was a ghoul with a
touch of hippie. The Cool Ghoul partnered with Shillito’s department store for
a personal appearance at its Downtown location where he autographed short
sleeve Velva Sheen sweatshirts with his likeness with “blood red ink.” The
event generated an unexpectedly large crowd and the store began running out of
shirts. Shillito’s management called Velva Sheen requesting more shirts
immediately and the company produced them. The Shillito’s buyer hopped a cab to
Velva Sheen, picked up the shirts, and replenished the store’s stock to save
the day.
From the March 28,1970 Cincinnati Enquirer
In 1972, Velva Sheen was acquired by Beatrice Foods. It
operated as a division of Beatrice and Velva Sheen management was kept in place
with the Rielly brothers remaining in charge.
Velva Sheen experienced occasional misprints
and overruns. Initially, the company operated an outlet store out of the plant.
However, around 1973 the Velva Sheen misprint store opened on Wooster Pike in
Fairfax. I made my television debut in a Velva Sheen misprint (a local news
crew was trailing Santa Claus, who was going house to house visiting children). The shirt was a
graying, well-worn graphic tee with a sad-faced cartoon character and the
caption “Be nice to me. I had a hard day.” My mom had a Velva Sheen misprint
with the caption “Never underestimate the power of a woman.” My favorite
misprint store purchase, though, was an orange BGSU tee shirt. I was a freshman
in high school and had no idea what BGSU stood for, so my friend and I decided
on “Big Girls of Southern Utah.” (My apologies to those of you with an
allegiance to Bowling Green State University.)
From the February 7, 1973 Eastern Hills Journal
The Velva Sheen misprint store on Wooster Pike was only
open for around five years, but its closure wasn’t the end to their outlet
stores. In August 1978, the Hyde Park outlet store opened and the company
ultimately had seven retail locations. They supplemented the misprints and
overruns with other sportswear, jackets, shoes, and athletic accessories and
began offering screen printing on orders as small as 10 items.
Over the years, Velva Sheen had tens of thousands of
customers. Most of the shirts were hits, but there were a few misses too.
Voluptuous actress Raquel Welch starred in the roller derby film Kansas City
Rollers and Velva Sheen printed shirts showing her in a roller derby uniform.
It failed. Company officials blamed it on women not wanting to wear an image of
a well-endowed woman and men not wanting to anger the women in their lives.
The company also printed thousands of tee shirts with “Float like a butterfly,
sting like a bee” for Muhammad Ali’s team in preparation for his Rumble in the
Jungle match against George Foreman. The problem? It was printed in English,
which wasn’t an official language in Zaire, where the fight was held.
Some of the more popular designs were a picture of a
garden hose with the caption “Up your nose with a rubber hose” (for fans of
John Travolta on Welcome Back, Kotter) and the ubiquitous “Virginia Is for
Lovers” tee shirts. Velva Sheen printed over 300,000 tee shirts for a Del Monte
Foods promotion with captions like “Peas help me” and “Be a human bean.” Before
the Charmin bears, the spokesman for the toilet tissue brand was fictional
grocer Mr. Whipple, who was constantly miffed at customers who squeezed the Charmin. Procter & Gamble ordered tee shirts with the caption
“Please don’t squeeze the Charmin. Squeeze me instead.”
From Etsy.com
Velva Sheen wouldn’t print just anything on a shirt, though.
They wouldn’t print anything they considered obscene or designs with a
cigarette. Bill Rielly was a former four pack per day smoker who didn’t want to
encourage anyone else to take up the habit.
Bob Rielly retired from Velva Sheen in 1982. Bill Rielly
retired in 1983, but returned as chairman a year later. The company continued
to grow and thrive, averaging 10 percent annual growth. They shipped 60,000 garments
each day and were the biggest UPS customer in Cincinnati. The company had
90,000 customers around the world, but still did most of their business with
college bookstores. They were also licensed to print Muppets, Disney,
Looney Toons, Garfield, and Smurfs merchandise. They printed shirts for Major
League Baseball and National Football League teams and the NCAA.
By all reports, Bill Rielly was a hands-on CEO. He
enjoyed walking through the plant and talking to his employees about both
personal and professional matters. In that respect, he was like Pat Swallen
(see The Retailer). Unlike Swallen, though, he didn’t present himself as just a
regular guy. He enjoyed international travel and art and displayed some of his
art acquisitions at Velva Sheen’s offices. He had a couple of the artists on staff
recreate an ancient Egyptian mural in the employee lounge. He also had two
Japanese Torii gates installed in front of two of the company’s buildings. Bill
Rielly said, "We are in the art business, but people spend most of their
waking hours at work that is really not that interesting. I think it's
important to make places like the lounge as pleasant as possible."
William Rielly at Velva Sheen headquarters, June 1987 Cincinnati Magazine
Bill Rielly once confronted an ice cream vendor who sold
ice cream cones to his employees that, he said, were half air and half ice
cream. When the ice cream man told him no one else had complained, Rielly
bought an ice cream machine. Employees had ice cream once every week and on
days when the temperature exceeded 90 degrees. He often bought lunch for employees
who had to work on Saturdays. He held a contest for employees to guess when the
company would print its 200 millionth item with the winner receiving a trip to
Walt Disney World. Bill Rielly retired sometime after 1987.
Some of the more stressful times at Velva Sheen must have
been during sports championships, particularly those involving a Cincinnati
team. In 1990, Velva Sheen was the only company in the greater Cincinnati area
with a Reds’ apparel license. Their artists had created designs for potential
division, league, and World Series championships and were marketing them to
retailers. MLB prohibited sale of licensed merchandise before a championship
was won. Velva Sheen took a chance and began printing division championship
shirts before the Reds had actually clinched. They had promised local retailers
they would be available the day after the Reds won their division. Many
employees worked through the night during the Reds’ World Series run, producing
hundreds of thousands of shirts.
In November 1994, Houston-based Brazos Sportswear, Inc.
purchased Velva Sheen with plans to merge it with their licensed sportswear
division. The company's headquarters moved to Fairfax. In 1996, the company closed
its retail locations to focus on the wholesale business. Within the next year,
Brazos acquired more apparel companies, including Cincinnati-based CS Crable
Sportswear. In December 1997, Brazos announced that it would close the Fairfax
plant and move its headquarters to the CS Crable location in Clermont County.
The closure was related to company restructuring to reduce excess capacity due
to the recent acquisitions. 129 people worked at the Fairfax plant, 80 of whom
lost their jobs.
Consolidation of company operations wasn’t successful,
though, and within a year, Brazos was facing bankruptcy. They had $16.1 million
in losses in the first half of 1998 and were delisted from the Nasdaq Stock
Market. Brazos filed bankruptcy in January 1999 and announced that their
Clermont County plant would close that spring. In May, Brazos announced they
planned to sell most of their businesses to pay their creditors. In June, the
few remaining employees at the company headquarters relocated to the former
Velva Sheen facility in Fairfax. By early 2000, the company was out of
business.
Brothers William and Robert Rielly died within 24 hours
of each other in July 2002. In addition to building a small banner and flag
printing company into a multimillion-dollar sportswear manufacturer with
international clientele, both men were volunteers and philanthropists.
Topwin, a Japanese-owned California-based company,
purchased the rights to the Velva Sheen brand in 2009. They have recreated the
original tags, packaging and production method. So, the Velva Sheen name lives
on.
From Topwin.com
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